Category - Stacey D’Erasmo

Discover the thoughtful Quotes of Stacey D’Erasmo, a philosopher and author. Our collection of his most impactful quotes reflects his deep understanding of language, philosophy, and history. Motivational Quotes of Stacey D’Erasmo
Whether seeking thought-provoking reflections or academic wisdom, Stacey D’Erasmos words offer a rich source of intellectual inspiration. #StaceyD’Erasmo Stacey D’Erasmo

Stacey D'Erasmo

In 1976, divorce could still raise eyebrows, as could a woman’s decision not to have children. Dyslexia wasn’t as commonly recognized then, and thus not treated as it is today.

– Stacey D’Erasmo

Stacey D'Erasmo

Of course, a secret is no good if it doesn’t need to be a secret.

– Stacey D’Erasmo

Stacey D'Erasmo

The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend ‘The Third Sex’ an air of scientific authority.

– Stacey D’Erasmo

Stacey D'Erasmo

Reading ‘The Third Sex’ feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one’s eyes.

– Stacey D’Erasmo

Stacey D'Erasmo

While ‘A Blessed Child’ might have been a more tough-minded book had Ullmann thrown a spanner into the works, it’s not hard to understand her decision to keep things going.

– Stacey D’Erasmo

Stacey D'Erasmo

Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her?

– Stacey D’Erasmo

Stacey D'Erasmo

You can conclude from the glossy surfaces of ‘The L Word’ that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large – as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes.

– Stacey D’Erasmo

Stacey D'Erasmo

As lightly toned by reality as the women on ‘Sex and the City,’ the bold, soigne characters on ‘The L Word’ suggest that L is also for limerence, that rapturous state of early love when the entire world is glowing and delectable.

– Stacey D’Erasmo

Stacey D'Erasmo

The Girls’ tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed.

– Stacey D’Erasmo

Stacey D'Erasmo

Shelley Jackson’s ‘Half Life’ is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.

– Stacey D’Erasmo

Stacey D'Erasmo

The Girls,’ by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada.

– Stacey D’Erasmo

Stacey D'Erasmo

What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter’s pellucid first novel, ‘The Apartment,’ it may be simply the length of a day – but a day in which one travels surprisingly far, literally and figuratively.

– Stacey D’Erasmo

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